Patrik Landolt (1993)
FMP as the center of contemporary jazz development
Today, the musicians
from the circle of Berlin's FREE MUSIC PRODUCTION (FMP) - the bassist
Peter Kowald, the saxophonist Peter Brötzmann,
the pianist Alexander von Schlippenbach, the
guitarist Hans Reichel, to only name a few -
are counted among the most important renewers
of jazz. Up until the 70's, exclusively the names of American musicians
stood for the music called jazz: Duke Ellington, Thelonious
Monk, Charlie Parker, Ella Fitzgerald, Billie Holiday, John Coltrane,
Miles Davis, Albert Ayler, Ornette
Coleman... Music critics conceived of the development of jazz through
temporally limited jazz styles and placed it in the cultural context of
the USA.
At the end of the 60's and begin of the 70's, a new development began,
which the writer and music publicist Wilhelm E. Liefland
at that time interpreted as a "radical break in jazz music".
The use of creative procedures, employed by avant-garde
movements, from different cultures, genres and epochs brought forth an
opening that changed jazz. Instead of developing linearly, jazz today
reveals the coexistence of the most dissimilar styles and innovatory directions.
What, for example, the pioneers from FMP introduced at the end of the
60's has developed into a many-sided and differentiated music: a first
inventory, from Europe’s Jazz
1960 to 1980 (published by Fischer Verlag),
written by the music critic and saxophonist Ekkehard
Jost, presents more than 50 internationally
recognized musicians. In his book Sound Traces: Paths of Improvised Music
(also Fischer Verlag) the music publicist Bert
Noglik sums up the process of the last twenty years: "Jazz,
an Afro-American idiom according to is origin, has developed to a musical
world language".
The Berlin of FMP is one of the most important centers
that has made this process possible, thereby
threatening to surpass the “Big Apple” New York. FMP has been substantially involved
in the development of this music. With both of its supporting structures,
Concerts/Festivals and Records/CD-Production it has distinctly
helped mould the development of contemporary jazz in Europe. Its transmission is large. As a
whole, numerous reasons make up the importance of Free Music Production:
1. Production and Documentation
of Current Music History
FMP is an institution that presents contemporary jazz music live and simultaneously
documents it, something practically no other promoter or producer in Europe has succeeded in doing. (The list
of the artists' names which FMP has presented live in Berlin and published
on recordings is long and speaks in a clear language. Indeed, the catalogue
of FMP is one of the artistically most valuable catalogues of current
jazz. Also of great artistic importance is the photography and recorded
archives of FMP.
2. Continuity and Experience
Through its 25-year tradition, FMP has at its disposal an extensive amount
of experience and competence. The festivals are carefully conceived, eventful
and qualitatively distinguished, and the records/CDs are very professionally
produced. Both audibly as well as visually, the records and CDs of FMP
are designed aesthetically.
3. Berlin as a Center
In the years
of its existence, FMP has become a center for
European music. Musicians from Germany, England, France, Holland, and
Switzerland as well as from the USA regularly perform in Berlin. The continuous
musical exchange is a prerequisite for an aesthetic development towards
an autonomous music. At the same time, Berlin's public enjoys, at the
regularly occurring concerts, the ability to constantly follow the development
of this music.
4. Worldwide Cultural Exchange
Throughout the years, FMP has cultivated the exchange of West European
jazz with East-European and American jazz. Regarding this, highlights
include, from the 70's, the concerts and recordings with musicians from
the GDR, and, at the beginning of the 90's, the large scale presentation
and CD production of Cecil Taylor, the most well-known pianist of new
jazz in the USA.
5. Personal Initiative and Expert
Knowledge
Behind FMP stands, as with every artistically successful institution,
an innovative head: for years, the producer Jost
Gebers has been leading the fortune of this artistic enterprise
with expert knowledge, personal initiative and amazing endurance.
Without doubt, one can certainly say that FMP has contributed significantly
to the development of today's jazz music. It is not only through the performance
of FMP that names of musicians - such as Peter Brötzmann, Peter Kowald, Hans
Reichel, Alexander von Schlippenbach,
Rüdiger Carl, Albert Mangelsdorff,
Paul Lovens - are well known in the international
music world and count among the great performers of today's jazz. At the
same time, one must also thank FMP that, from Zurich to London, Prague
to Moscow, and New York to Tokyo, Berlin is known throughout the music
world as a city of openness, international exchange and artistic innovation.
Translation:
Bruce A. Canevale
From a leaflet by
FREE MUSIC PRODUCTION (FMP) 1993/94
©
The copyrights remain with the aforesaid sources and/or with the authors.
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